shajandr
6 días hace
Shitbricks Dog Sisi (aka SHAKY JAKE) desperately wants to "be somebody" in the music biz, butt all he can ever be is himself, who is a nobody.
He just cannot accept this reality. That after many years he hasn't accomplished anything, and, to the extent that anyone in DaBiz even knows his name, he is known as a total failure and a joke. If he tells himself that he is still young, he can lie to himself and think there is still time for him to succeed at something. There is nott. Failures like SHAKY JAKE are simply lifelong losers - losers to the bone. Butt lying to themselves (and to others) is the only coping mechanism that allows them to deny the reality of their profound personal inadequacy.
SHAKY JAKE is a nobody and will always be a nobody. He has no talent, no marketable skill, no money, and no prospects. His coping mechanism is to live in a fictitious dream world that he uses to escape temporarily from his odiferous and bleak reality - including pissing away his mom's trust funds in his "fambly office" turd that will go nowhere butt into DaDrain.
SHAKY JAKE doesn't have an inferiority complex. He is just inferior and inadequate and unwilling to face that reality. The denial of his serial failures is butt one small manifestation of the illusion he paints for himself and his ego.
On top of that, he is a raging asshole as well, butt that's thrown in for free. An effortless bonus of his hapless, ridiculous existence.
He will wind up in Federal prison like JUSTIN(E) COSTELLO, DAVID RUSSELL FOLEY, BENNIE BLANKENSHIP, TOVY PUSTOVIT, and thousands of others who were/are much smarter than SHAKY JAKE and had vastly better legal representation - some of whom were even competent.
Butt nott before his pisses away mom's trust funds so when she is elderly she can wither and die in a state-supported nursing/waiting-to-die home without even enuff munny to buy a candy bar from the vending machine.
SHAKY JAKE = megalomaniac with delusions of grandeur and narcissistic personality disorder butt in reality he's a talentless, vapid, poor-cognition and planning, child-moron. Butt one with access to mommy's trust fund munny as Little Oedipus seeks to prove to himself, his brothers, and especially mom that he is as good as his dead daddy - butt he is nott. And this ends with mommy broke, SHAKY JAKE in prison, and everything his dead daddy built destroyed and lost.
Pay yer damned delinquent AMEX bills, SHAKY JAKE!
Yer mom will wind up getting one of these EBT cards
Hi_Lo
1 semana hace
Did you know that his record label "reshaped the music industry landscape"?
LOL!!!
Yeah, if by that he means his record label got caught perpetrating Spotify's largest fraud in it's history.
https://www.billboard.com/pro/spotify-indie-label-streaming-fraud-millions-fake-accounts-countersuit/
Spotify Countersues Indie Label, Alleging Massive Streaming Fraud & Millions of Fake Accounts
Spotify has countersued indie label Sosa Entertainment and its founder Jake Noch, alleging massive streaming fraud, unjust enrichment and the creation of millions of fake accounts to generate…
In November 2019, indie hip-hop label Sosa Entertainment and its founder, 20-year-old Jake Noch, filed a lawsuit against Spotify that alleged the streaming service failed to pay royalties on over 550 million streams of its music. The suit, which was also brought on behalf of Noch’s PRO Pro Music Rights (which was later removed), sought $150,000 in statutory damages for each infringement, and alleged that Spotify removed its music not because it detected “abnormal streaming activity,” as the service claimed, but because it was trying to dodge paying royalties on the streams.
Now, Spotify has fired back with a countersuit alleging that Noch “designed a scheme to artificially generate hundreds of millions of fraudulent streams” in order to “manipulate Spotify’s system to extract undeserved royalties at the expense of hardworking artists and songwriters.” The filing, which is supported by screenshots of messages allegedly between Noch and a “bot farmer” and charts that show streams on Noch’s music go from zero into the hundreds of thousands in a matter of days, also alleges that Noch directed the bot farmer to create millions of fake accounts and changed the names of songs in his catalog to closely resemble those of established hit songs, like XXXTentacion’s “SAD!” and DJ Snake’s “Taki Taki.”
Spotify has countersued indie label Sosa Entertainment and its founder Jake Noch, alleging massive streaming fraud, unjust enrichment and the creation of millions of fake accounts to generate…
BY DAN RYS
In November 2019, indie hip-hop label Sosa Entertainment and its founder, 20-year-old Jake Noch, filed a lawsuit against Spotify that alleged the streaming service failed to pay royalties on over 550 million streams of its music. The suit, which was also brought on behalf of Noch’s PRO Pro Music Rights (which was later removed), sought $150,000 in statutory damages for each infringement, and alleged that Spotify removed its music not because it detected “abnormal streaming activity,” as the service claimed, but because it was trying to dodge paying royalties on the streams.
Now, Spotify has fired back with a countersuit alleging that Noch “designed a scheme to artificially generate hundreds of millions of fraudulent streams” in order to “manipulate Spotify’s system to extract undeserved royalties at the expense of hardworking artists and songwriters.” The filing, which is supported by screenshots of messages allegedly between Noch and a “bot farmer” and charts that show streams on Noch’s music go from zero into the hundreds of thousands in a matter of days, also alleges that Noch directed the bot farmer to create millions of fake accounts and changed the names of songs in his catalog to closely resemble those of established hit songs, like XXXTentacion’s “SAD!” and DJ Snake’s “Taki Taki.”
Indie Hip-Hop Label Files Suit Against Spotify Over Catalog Takedown
Noch, who lists himself as the chief executive of Sosa and Pro Music Rights, as well as a handful of additional music companies, has quite the proud litigious history, having released several press releases touting lawsuits against Spotify, Apple, Google, YouTube, Amazon, SoundCloud, Pandora, Deezer, iHeartRadio and more. Pro Music Rights claims a database of some 2 million tracks, including more than 23,000 by various artists using some form of the name “LEGATO,” like LEGATO_DIMY, LEGATODE45, LEGATODI001, LEGATOGILL2002 and LEGATOKAL999, to name a few.
According to Spotify’s counterclaim, filed Monday (May 18), the service first detected artificial streaming activity on Noch’s content in March 2016 and eventually banned his music from the service, before extending that ban to all content related to Noch. Noch then tried to “smuggle” the content back onto the service using slightly different names and created millions of fake accounts to stream that music.
In June 2016, a whistleblower contacted Spotify with screenshots that purported to show Noch directing the person to create millions (direct quote: “i need millions”) of fake accounts. And while Spotify had identified the fraud a few months prior, the company had already paid a small amount of royalties to Sosa and Noch — royalties that otherwise would have gone to legitimate songwriters with songs being streamed by legitimate fans. According to the complaint, for one of Noch’s albums that jumped from zero streams to more than 400,000 in just days, 99% of its streams came from Spotify’s ad-supported free tier and from accounts registered to male users in the United States, a pattern that was also found for other works.
Noch then changed distributors and changed the names of some of his companies in order to dodge Spotify’s fraud detection systems, with slightly different artist names, song titles and cover artwork. In one section of the complaint, attorneys wrote that “analysts at Spotify found that 5,500 ‘users’ streaming one of the Sosa albums ‘originated’ from a small American town with a total population of 10,000. For that album, the stream count jumped from zero to 749,000 streams in a span of only two days… This pattern is highly anomalous and not at all correlated to any possible pattern of genuine streaming activity.”
In another example from the complaint, in what the filing calls “title track parasitism,” Noch and Sosa uploaded tracks called “SAD!” with the same punctuation as the XXXTentacion hit, and “Taki Take,” shortly after the similarly-named DJ Snake song reached the top 20 of the Billboard Hot 100. Some of the tracks that Noch and Sosa would release on Spotify were AI-generated sound loops.
In all, Spotify’s counterclaim seeks relief for fraud, fraudulent concealment, breach of contract, indemnification, unjust enrichment and deceptive business practices. As another line in the complaint reads, “This was one of the most egregious fraudulent streaming operations from a single rights holder that Spotify had to deal with in its company’s history.”
After the publication of this story, Noch provided a comment to Billboard which reads, in part, “Spotify’s claims are laughable… I also greatly look forward to the day we get to go to court, and I hope that all of Spotify’s shareholders will pay close attention to these cases… Time will prove that we are right.”
P-Rawl
4 semanas hace
Jake has already claimed here on iHub that he makes more in royalties every month from his old parody rap releases than in a year from his royalty exchange purchases. https://investorshub.advfn.com/boards/read_msg.aspx?message_id=175034782
Can you ask him to provide proof of this.
Also, why is most of his parody rap 100% in the BMI catalog but also in the Pro Music Rights catalog?
https://repertoire.bmi.com/Search/Search?Main_Search_Text=23495156&Main_Search=BMI%20Work%20ID&Search_Type=all&View_Count=0&Page_Number=0
Here's a parody rap track by Jake which has only had 126 views on YouTube in the past 6 years. Is this one included in the "few thousand dollars a month"?
Vibin' on a beat, vibin' on a beat (oh)
I'm vibin' with your bitch, vibin' with your bitch (bitch)
She vibin' on my dick, vibin' on my dick (fuck that shit)
I'm vibin' on a beat, vibin' on a beat (oh)
Vibin' in these streets, vibin' in these streets (aah)
I ride with the heat (uh), ride with the heat (uh)
You a fuckin' lick, you a fuckin' lick (what)
I'm finna take your shit, finna take your bitch (bitch)
I'm finna take your bitch, finna take your bitch (suck that shit)
I'm vibin' on a beat, vibin' in these streets (aah)
I be movin' bricks, I be movin' bricks (get rich)
You a fuckin' lick, you a fuckin' lick (aah)
I'm vibin' on a bitch, vibin' with your bitch (oh)
She be suckin' on my dick, suckin' on that shit (want more)
She be lovin' on it, she be lovin' on it (love me)
Can't understand, you can't understand (bitch)
I the man
I'm the man (uh)
Vibin' on a beat, vibin' on a beat (aah)
I be vibin' on a beat, vibin' on a beat (aah)
Vibin' with your bitch, vibin' with your bitch (suck it)
Vibin' on my dick, vibin' on my dick (love it)
She vibin' in these sheets, vibin' in these sheets (hoe)
She be suckin' it, she be suckin' it (Love it)
She be lovin' it (lovin')
Lovin' it (lovin it', aah)
I'm off Xanax, I'm off Xanax (aah)
I can't forget (huh), what I just say?
I can't forget, shit (aah), I can't forget shit (aah)
You fuckin' try me though (try me), you fuckin' try me ho (huh)
I'm tryna let it blow (aah), I'm tryna let it blow (aah)
Oh
I'm vibin' on a beat, vibin' on a beat, vibin' in these streets (aah), vibin' in these streets (hah)
You fuckers can't compete, you fuckers can't compete (can't compete)
I be makin' heat, I be makin' heat (fire)
I take your fuckin' chain, I take your fuckin' chain (strain)
You a fuckin' stain, you a fuckin' stain (duck)
You rappers can't compete, you rappers can't compete (hoes)
You can't fuck with me, can't fuck with me, try me it get ugly (ugly) ugly (ugly)
I'm vibin' on a beat, vibin' on a beat, vibin' with your bitch, vibin' with your bitch (ho) she be ridin' on my dick, ridin' on my dick (suck it)
She suck that shit (love it), she love that shit (love it)
She love me (love me), I don't care though, I don't care though, she a fuckin' hoe (hoe)