Intelligent new features, timesaving tools, and new creative
options come to Final Cut Pro across Mac, iPad, and iPhone, plus
editing for spatial video
Apple® today unveiled Final Cut Pro® 11 — supercharged with
intelligent new features — along with powerful updates to Final Cut
Pro for iPad®, Final Cut Camera™, and Logic Pro®. Offering new
tools like Magnetic Mask and the highly anticipated Transcribe to
Captions, Final Cut Pro 11 for Mac®1 also supports the import,
edit, and delivery of spatial video projects directly to Apple
Vision Pro™.2
Final Cut Pro for iPad 2.1 advances the touch-first editing
experience with support for Enhance Light and Color; new Live
Drawing inks; haptic feedback; even more built-in content,
including color-grading presets and dynamic soundtracks; and other
meaningful workflow improvements.3 Final Cut Camera 1.1, the
intuitive pro recording app for iPhone®, adds support for 4K120 fps
recording on iPhone 16 Pro, the ability to apply a preview lookup
table (LUT) while recording, and capture of Log-encoded HEVC video
for smaller file sizes.4 And to supercharge songwriting,
beat-making, producing, and mixing, Logic Pro for Mac 11.1 and
Logic Pro for iPad 2.1 add support for a new Quantec ™ Room
Simulator plug-in.
The new version of Final Cut Pro for Mac and iPad, Final Cut
Camera, and Logic Pro for Mac and iPad are available today on the
App Store®.
“Our creative apps give artists, producers, directors, and
editors around the world the tools they need to express themselves
and realize their artistic vision,” said Brent Chiu-Watson, Apple’s
senior director of Worldwide Product Marketing for Apps. “With the
power of Apple silicon and state-of-the-art machine learning
capabilities, Final Cut Pro and Logic Pro are faster and more
intelligent than ever. These latest updates give creative
professionals more stylistic interpretations to explore — whether
that’s with fine-tuned masking for color grading or amazing sound
processing — and greater versatility and efficiency in their
workflows.”
Final Cut Pro 11
Final Cut Pro 11 takes full advantage of Apple’s M-series chips,
introducing the powerful and intuitive Magnetic Mask; Transcribe to
Captions,5 a highly requested feature that provides fast and
accurate closed captions; spatial video editing; and a range of
timesaving tools and workflow optimizations.
AI-Powered Features
In Final Cut Pro 11, editors can access two all-new AI-powered
tools: Magnetic Mask and Transcribe to Captions. With Magnetic
Mask, editors can effortlessly isolate people and objects in a
video clip without the need for a green screen or more
time-consuming rotoscoping. This powerful and precise automatic
analysis provides additional flexibility to customize backgrounds
and environments. Editors can also combine Magnetic Mask with color
correction and video effects, allowing them to precisely control
and stylize each project. And with Transcribe to Captions, closed
captions can be automatically generated in the timeline using an
Apple-trained large language model that transcribes spoken
audio.
Magnetic Mask and Transcribe to Captions join existing
AI-powered features made possible by Apple’s Neural Engine,
including:
- Smart Conform to easily make social media-friendly versions of
projects in square or vertical formats.
- Enhanced Light and Color to automatically improve the color,
color balance, contrast, and brightness of video or still
images.
- Smooth Slo-Mo to generate and blend together frames of video —
including footage captured on iPhone 16 Pro in 4K120 fps — for the
highest-quality movement.
- Voice Isolation to enhance speech and optimize sound levels
while reducing background noise from audio captured in the
field.
Spatial Video Editing for Apple Vision Pro
Spatial video allows users to capture life’s precious moments
and relive them on Apple Vision Pro. Final Cut Pro 11 now supports
spatial video editing, allowing editors to import their footage and
add effects,6 make color corrections, and enhance their projects
with titles. The depth position of titles and captured footage can
also be adjusted during the editing process. Spatial video clips
can be captured directly with Vision Pro, or on iPhone 15 Pro,
iPhone 16, iPhone 16 Pro, and Canon’s new RF-S7.8mm F4 STM DUAL
lens paired with Canon R7.7
Users can choose from various viewing modes to preview the left-
and right-eye angles on their Mac display. And with Mac Virtual
Display™,8 they can bring their edit into Apple Vision Pro,
creating an enormous, private, and portable display that’s ideal
for complex workflows. Later this year, users will be able to
expand Mac Virtual Display to a new panoramic size, creating a
massive 32:9 ultrawide curved display that’s equivalent to having
two 5K monitors side by side. Spatial videos can be exported
directly to a user’s Photos library, viewed immediately on Vision
Pro, or shared with others by uploading them to the native
visionOS™ Vimeo app.
Timesaving Features, Blazing Speeds, and Pro Creative
Tools
Final Cut Pro features advanced editing tools to help streamline
creative workflows even further and save time:
- Magnetic Timeline, a trackless approach to editing footage,
offers a fluid way to trim and edit a project. Editors can add and
rearrange clips seamlessly, making adjustments while keeping video
and audio perfectly in sync.
- With multicam editing, users can instantly sync multiple angles
of a project and switch between shots during playback. And new
keyboard shortcut options allow users to adjust the view of their
timeline and reposition clips.
- Optimizations for Apple silicon allow editors to play back more
streams of 4K and 8K ProRes ® video at full quality, add playback
effects, and share their work with others at blazing speeds.
- Editors can create a lightweight copy of their library with
enhanced proxy tools, decreasing file sizes to make transfer times
even shorter.
- Using Compressor, editors can create custom export settings to
deliver their work in a wide range of file formats, and import
previous stereoscopic footage to reformat and pair with spatial
video footage for an integrated editing experience.
- Using Motion®, users can create stunning 2D and 3D titles,
generators, and advanced visual effects that are accessible within
Final Cut Pro.
Final Cut Pro for iPad 2.1
Final Cut Pro for iPad 2.1 brings beloved features to the
touch-first editing experience. Powered by Apple silicon, Enhance
Light and Color is an intelligent way to improve color, color
balance, contrast, and brightness in video or still images in one
simple step, and is optimized for SDR, HDR, RAW, and Log-encoded
media. With haptic feedback for Apple Pencil Pro™ and Magic
Keyboard®, users will feel a light pulse as they trim clips, move
media, navigate the timeline, and resize viewer clips to snapping
points.
Other meaningful workflow improvements include a new vertical
pinch gesture that can expand or minimize clip height in the
timeline; the ability to dynamically adjust the size and position
of the viewer in Picture in Picture mode; and timeline support for
recordings at 90 fps, 100 fps, and 120 fps on iPhone 16 Pro.
New inks for the Live Drawing feature on iPad let users add even
more animations to videos with expressive new watercolor, crayon,
fountain pen, and monoline pen options. And the content library
expands with new modular transitions, color-grading presets, and
dynamic soundtracks, along with the ability to easily highlight and
overlay visuals with Picture in Picture and Callout effects.
Final Cut Camera
Final Cut Camera 1.1 brings intuitive pro controls for aspiring
and professional directors. The update offers users the ability to
capture Log-encoded HEVC video in standalone or Live Multicam
sessions, so users can take advantage of the amazing dynamic range
of Log while benefitting from reduced file sizes and even more
recording time. Final Cut Camera also allows users to enable a LUT
preview while recording in Log, showcasing the vibrancy of the
original scene in SDR or HDR with the Apple Log LUT. With iPhone 16
Pro, users can record beautiful and crisp 4K120 fps footage for
even smoother cinematic slow motion, import it into Final Cut Pro
for iPad, and begin their edit. A new advanced level helps users
precisely compose shots with roll and tilt indicators, and for
top-down shots, Final Cut Camera introduces a crosshairs
indicator.
Logic Pro for Mac 11.1 and Logic Pro for iPad 2.1
Logic Pro for Mac9 and iPad10 supercharge songwriting,
beat-making, producing, and mixing, and are an excellent companion
for Final Cut Pro editors. Today, that experience gets even better
with the new Quantec Room Simulator plug-in, which allows users to
tap into the legendary sound of the most acoustically accurate
reverb ever created, built using the original schematics,
algorithms, and code from Quantec founder and inventor Wolfgang
Buchleitner. Users can select the vintage Quantec QRS to add
natural acoustic space to music while preserving sonic character,
or the modern Quantec Yardstick for improved clarity and detail.
The Quantec QRS technology is a great tool for video editors who
want to add natural-sounding spaces to dialog, foley, and
music.
“The Quantec Room Simulator has been a key element to my sound
for many years, appearing on records like Passion and Us. I also
used it to build harmonic drones to start my live set, which then
evolved into songs like ‘Across the River,’” said musician Peter
Gabriel. “It’s wonderful that Apple is bringing the Quantec QRS
back to life as a plug-in for Logic users around the world.”
With Reorder Mixer Channels, users can rearrange channel strips
by dragging them, and can even select multiple channel strips to
reorder them collectively. To make it easier to find and add any
plug-in directly using a keyboard command, Logic Pro for Mac users
can now search by category, company name, or even part of a plug-in
name. Logic Pro for iPad also introduces Sample Folders, giving
users access to their personal collection of samples directly from
the built-in Sound Browser right from iPad, external storage, and
iCloud ® Drive.
Pricing and Availability
- Final Cut Pro 11 is available today as a free update for
existing users and for $299.99 (U.S.) for new users on the Mac App
Store. New users can download a free 90-day trial of Final Cut
Pro.
- Final Cut Pro for iPad 2.1 is available today as a free update
for existing users, and available on the App Store for $4.99 (U.S.)
per month or $49 (U.S.) per year, with a one-month free trial for
new users.
- Final Cut Camera 1.1 is available today as a free standalone
app on the App Store.
- Logic Pro for Mac 11.1 is available today as a free update for
existing users and for $199.99 (U.S.) for new users on the Mac App
Store. Logic Pro for Mac 11.1 requires macOS® 14.4 or later. For
more information, visit apple.com/logic-pro.
- Logic Pro for iPad 2.1 is available today as a free update for
existing users, and available on the App Store for $4.99 (U.S.) per
month or $49 (U.S.) per year, with a one-month free trial for new
users. Logic Pro for iPad 2.1 requires iPadOS® 18.1 or later. For
more information, visit apple.com/logic-pro-for-ipad.
Footnotes
- Final Cut Pro 11 requires macOS 14.6 or later, 8GB of RAM (16GB
recommended), and 5.9GB of available disk space; some features
require a Mac with Apple silicon and macOS Sequoia.
- Spatial video edited in Final Cut Pro can be exported and saved
directly to Photos to be viewed later in Apple Vision Pro.
- Final Cut Pro for iPad 2.1 requires iPad with Apple M1 chip or
later, or iPad mini® (A17 Pro) with iPadOS 17.6 or later.
- Final Cut Camera requires iPhone or iPad with iOS 17.6 or
iPadOS 17.6 and later.
- Transcribe to Captions requires macOS Sequoia.
- Some effects may not be compatible with spatial video.
- Requires processing with Canon’s EOS VR Utility v1.5.
- Mac Virtual Display 5K requires a Mac computer and Apple Vision
Pro with software release coming later this year.
- Logic Pro for Mac 11.1 requires macOS Sonoma 14.4 or later, and
6GB of available storage space for minimum installation, or 72GB of
storage space for full Sound Library installation.
- Logic Pro for iPad 2.1 requires iPadOS 18.1 or later, and an
iPad with Apple A12 Bionic chip or later. Stem Splitter requires an
iPad with M1 or Apple A17 Pro chip or later.
NOTE TO EDITORS: For additional information visit Apple Newsroom
(www.apple.com/newsroom), or email Apple’s Media Helpline at
media.help@apple.com.
© 2024 Apple Inc. All rights reserved. Apple, the Apple logo,
iPhone, iPad, iPadOS, Mac, macOS, Mac Virtual Display, Apple Vision
Pro, visionOS, Final Cut Pro, Logic Pro, App Store, Magic Keyboard,
Apple Pencil Pro, and Motion are trademarks of Apple. Other company
and product names may be trademarks of their respective owners.
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version on businesswire.com: https://www.businesswire.com/news/home/20241113676310/en/
Press Contacts:
Renee Felton Apple rfelton@apple.com
Emily Ewing Apple e_ewing@apple.com
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